ne box office analyst predicts that the stunning success of the franchise will affect "how casting decisions will be made in the future for these types of large-scale action epics."
An ethnically diverse cast is paying off in a big way for Furious 7.
The Universal movie opened to a franchise-best $384 million over the weekend at the global box office, including $143.6 million domestically — the biggest debut since The Hunger Games: Catching Fire in November 2013 ($158 million). More impressive, its global bow was the fourth-best of all time.
22 Fast, Furious, Iconic Movie and TV Cars
Nicolas Cage's 'Gone in 60 Seconds' Million-Dollar Mustang
Harrison Ford's 'American Graffiti' Chevy
Michael Keaton's Batmobile
Michael J. Fox's 'Back to the Future' DeLorean
Steve McQueen's 'Bullitt' Mustang
Cleavage-Flaunting Feminist Adrienne Barbeau's Lamborghini
See More From This Gallery
22 Fast, Furious, Iconic Movie and TV Cars
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According to Universal, 75 percent of the audience in North America was non-Caucasian, generally in line with previous installments. Hispanics, the most frequent moviegoers in the U.S., made up the majority of ticket buyers (37 percent), followed by Caucasians (25 percent), African-Americans (24 percent), Asians (10 percent) and other (4 percent).
An ethnically diverse cast is paying off in a big way for Furious 7.
The Universal movie opened to a franchise-best $384 million over the weekend at the global box office, including $143.6 million domestically — the biggest debut since The Hunger Games: Catching Fire in November 2013 ($158 million). More impressive, its global bow was the fourth-best of all time.
22 Fast, Furious, Iconic Movie and TV Cars
Nicolas Cage's 'Gone in 60 Seconds' Million-Dollar Mustang
Harrison Ford's 'American Graffiti' Chevy
Michael Keaton's Batmobile
Michael J. Fox's 'Back to the Future' DeLorean
Steve McQueen's 'Bullitt' Mustang
Cleavage-Flaunting Feminist Adrienne Barbeau's Lamborghini
See More From This Gallery
22 Fast, Furious, Iconic Movie and TV Cars
next slide
According to Universal, 75 percent of the audience in North America was non-Caucasian, generally in line with previous installments. Hispanics, the most frequent moviegoers in the U.S., made up the majority of ticket buyers (37 percent), followed by Caucasians (25 percent), African-Americans (24 percent), Asians (10 percent) and other (4 percent).
